American Lives Syllabi
Syllabus
Adam Bradford
(
Office: 420 EPB, Hours – T: 9:30 -12:30
Mailbox: 308 EPB (below my name)
Tensions inherent in “American” identity were forever engraved on our most recognizable national monument when Emma Lazarus’s “The New Colossus” appeared on the base of the Statue of Liberty. In this poem,
While this class may only occasionally take up this contemporary question for discussion, we will explore historically prominent ideologies of American identity – ideologies with powerful stories inscribing their own foundations. Refugees with a lust for freedom, rebels with a “righteous” cause, and second sons “making good.”
The following are required (Texts at Prairie Lights, Instructor Packet at Zephyr):
Chabon, Michael. The Amazing Adventures of Kavalier and Klay (Picador)
Douglass, Frederic. Narrative of the Life of Frederick Douglass (
Hemingway, In Our Time (Simon and Schuster)
Ridge, The Life and Adventures of Joaquin Murieta (
Whitman, Leaves of Grass (Penguin)
Instructor Prepared packet.
A few dollars for printing/copying
Coursework
Coursework will be assigned by the instructor and will consist of two formal essays, two exams, and a few informal assignments. Class participation is also a required part of this course, reflecting 15% of your final grade. Participation is composed of two factors – attendance and thoughtful, insightful engagement in class discussion. This latter component will be greatly aided by coming to class having read the assigned material carefully. Please do not underestimate the importance of this element in your coursework and grade.
Grading
Essay #1 20%
Essay #2 20%
Informal Assignments 20%
Midterm 10%
Final 15%
Participation 15%
Grades for the course will be given on an A,B,C,D,F scale (with plus and minuses), with a C representing the average and B, or A showing merit. A grade of D or lower means that you have not shown consistent work in your assignments, have not made suitable attempts to improve your work, and have not participated regularly in class discussions, thereby failing to meet the minimum requirements for this class.
Grades for assignments will be given on an A, B, C, D, F scale (with plus and minuses) with the exception of some of the informal assignments (in which case a 5-1 point scale may be used with 5 being the highest). To earn a C you must meet all of the basic requirements of the assignment (free from spelling and grammar errors), while producing competent college-level work. To earn a B you must produce well-crafted work that shows signs of revision, careful thought, and moments of real insight. To Earn an A you must produce outstanding, well-polished work that demonstrates significant effort, focused creativity and sustained insight. .I am happy to discuss grades with you during my office hours and by appointment. I cannot discuss grades over email.
Attendance
Your attendance is crucial to the success of this class, and to your overall grade. You cannot be a regular participant if you are not in attendance. Therefore, attendance in this course is required and will be taken daily. Repeated absences will unquestionably affect your participation grade and excessive absences (nine or more) may result in your failing the course. Excused absences are permitted, but require documentation on your return to class. Examples of excused absences include: illness, authorized University activities, religious holidays, etc. In addition, if you know you will be absent on a particular day, please see or email me in advance of the absence to discuss make-up work.
Late Work
Late work will be accepted with a 10% reduction in your work grade per day late for up to four calendar days. After four days, late work will no longer be accepted. Students whose excused University absence is known about ahead of time are responsible for turning in their work prior to the due date, or according to arrangements made with me well in advance of the absence. Students whose excused University absence is unplanned should email me as soon as they are aware they will be missing class to avoid being penalized – I reserve the right to enforce the late work reduction policy listed above should students fail to email me as indicated. All late work should be place in my mailbox in 308 EPB or given to me directly. Please be aware that EPB is not accessible on weekends or after 4:30 p.m.
Plagiarism
Plagiarism is using someone else’s ideas or words without acknowledging where you got them. Plagiarism constitutes cheating and is taken extremely seriously. Do Not Plagiarize. If you copy words or ideas from any source – published or unpublished – and do not use quotation marks and cite your source, you are committing plagiarism. I will assign a grade of “0” to any plagiarized work and refer the student to the college for further disciplinary action. Again, Do Not Plagiarize.
Sexual Harassment
Sexual harassment is reprehensible and will not be tolerated in this class or by the University. It subverts the mission of the University and threatens the well-being of students, faculty, and staff. Visit the sexual harassment awareness site at http://www.sexualharassment.uiowa.edu/ for definitions, assistance, and the full University policy.
Writing Center
The
Students With Disabilities
I would like to hear from anyone who has a disability that may require some modifications of seating, testing, or other class requirements so that appropriate arrangements can be made. Please see me during my office hours to discuss these matters.
Class Grievances
Please feel free to discuss with me any problem that arises within the context of this class. You are welcome to ask any questions or make any comments about what is happening in the course throughout the semester. If you ever feel that I have not given you a fair hearing, you may direct your concerns to the following people:
Coursework Concerns: Program Associates
64 EPB, 335-0484
Mark Bresnan, Laura Capp or Tom Keegan
Grade Concerns : Program Associates
64 EPB, 335-0484
All other Concerns: Brooks Landon, Program Director
376 EPB, 335-0641
Severe Weather Statement
The
Add/Drop Notification
This course is given by the
Course Schedule (Subject to Change)
Early American Constructions of Identity
1/22
Intro to Class – Chartier Preface (online)
1/24
What is an American? - Crevocouer (Packet)
Chartier Response Due
1/29
Selections from Jefferson’s Notes on the State of
1/31
Selections from
Assign Essay #1
Crises of Identity in 19th Century
2/5
Rip Van Winkle (Packet)
Film 1 - The Mark of Zorro
2/7
The Life and Adventures of Joaquin Murieta (1-52)
2/12
The Life and Adventures of Joaquin Murieta (52-109)
2/14
The Life and Adventures of Joaquin Murieta (109-159)
2/19
Poe, Edgar Allen – Murders in the Rue Morgue (Packet)
Narrative of the Live of Frederick Douglass (1-34)
2/21
Narrative of the Live of Frederick Douglass (34-76)
2/26
Leaves of Grass (1-68)
2/28
Leaves of Grass (69-113)
3/4
Stephen Crane – The
Essay #1 Due
Shifting Identities – 20th Century
3/6
The Jazz Singer
3/11
In Our Time (1-50)
3/13
In Our Time (51-94)
3/18 - 20
Spring Break
3/25
In Our Time – (95-156)
3/27
Lady Sings the Blues (1-56)
4/1
Lady Sings the Blues (57-109)
4/3
Lady Sings the Blues (110-153)
4/8
Lady Sings the Blues (154-224)
MidTerm
Contemporary Convulsions
4/10
Film
4/15
The Amazing Adventures of Kavalier and Klay (1-100)
Assign Essay #2
4/17
The Amazing Adventures of Kavalier and Klay (100-200)
4/22
The Amazing Adventures of Kavalier and Klay (200-300)
4/24
The Amazing Adventures of Kavalier and Klay (300-400)
4/29
The Amazing Adventures of Kavalier and Klay (400-550)
5/1
The Amazing Adventures of Kavalier and Klay (550-636)
5/6-8
TBD
Essay #2 Due 5/8
Thursday -5/15
Final – 7:30 am Thursday, May 15th
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